What exactly did I just watch? The 2019 season cut from Rosina Friedel is part postmodern artistic statement, part bouncy Euro-pop ski edit bliss. Whatever it is, it’s something new, with plenty of action from the streets to the deep from Innsbruck’s leading lady of the new wave, and a bit of performance art to really mix things up. I have to admit, it’s got a certain je ne sais quoi.